±âȹSALE»óÇ°
À¯¼±¸¶ÀÌÅ©
¹«¼±¸¶ÀÌÅ©
¿Àµð¿À ¹Í¼­ ÄܼÖ
½ºÇÇÄ¿
ÆÄ¿ö¾ÚÇÁ
CD/USB/MP3Ç÷¹À̾î
ÀÌÄ÷¶óÀÌÀú/EQ
ÀÌÆåÅÍ
¾Æ¿ôº¸µå/½Ã±×³ÎÇÁ·Î¼¼¼­
½ºÅÙµå/ºê¶óÄÏ
Ä¿³ØÅÍ
ÄÉÀ̺í
Âù¾ç¹ÝÁÖ±â
ÇÁ·ÎÁ§ÅÍ
¿µ»ó½Ã½ºÅÛ
 
°øÁö»çÇ×
¹®ÀÇ»çÇ×
°ßÀûÀÇ·Ú
ÀÚÀ¯°Ô½ÃÆÇ
½Ã°ø°¶·¯¸®(ÃÖ±Ù)
½Ã°ø°¶·¯¸®(¿¹Àü)
ÈÄ±â ¹× »ìÇDZâ
 
 
 
1 ±âȹSALE»óÇ° Àú·ÅÇÏ°Ô ÆÇ
 
 
2 TASCAM,TEAC ÃÖÀú°¡ ÆǸÅÇÕ
 
 
3 ÀÌ¿ëÈıâ Æ÷ÀÎÆ® À̺¥Æ®>_<
 
 
 
 
 
 
 062-232-8585

 062-225-8998

 FAX)062-228-6730

  ÆòÀÏ 09:00 ~ 18:00 (°øÈÞÀÏ

 ÁÖ¸»ÈÞ¹«)
À̸ÞÀϹ®ÀÇ
 

 
±¹¹Î612101-04-031446
³óÇù 605-02-396328

¿¹±ÝÁÖ : ´Ù¿îÀ½Çâ
 
 
ºñ¹Ð¹øÈ£ È®ÀÎ ´Ý±â
  ¿Àµð¿À ¹Í¼­ ÄÜ¼Ö > MACKIE > [MACKIE] CFX20MKII / 20ä³Î(16¸ð³ë 4½ºÅ×·¹¿À) 4¹ö½º ÀÌÆåÅͳ»Àå ¾Æ³¯·Î±× ¹Í¼­ / ¶ó¿ìµå½Ã½ºÅÛ½ºÄÚ¶ó¾Æ Á¤Ç° / ÇÑÁ¤Æ¯°¡ÆǸÅ
È®´ëÀ̹ÌÁö
¸¶¿ì½º¸¦ ¿Ã·Áº¸¼¼¿ä
[MACKIE] CFX20MKII / 20ä³Î(16¸ð³ë 4½ºÅ×·¹¿À) 4¹ö½º ÀÌÆåÅͳ»Àå ¾Æ³¯·Î±× ¹Í¼­ / ¶ó¿ìµå½Ã½ºÅÛ½ºÄÚ¶ó¾Æ Á¤Ç° / ÇÑÁ¤Æ¯°¡ÆǸÅ
ºê·£µå : MACKIE
ÆǸŰ¡°Ý : Ç°Àý
ÃÑ »óÇ° ±Ý¾× 0 ¿ø

   
     

The Top Choice in Compact, Professional Effects Mixers.

20 ä³Î, ³»ÀåµÈ ¶Ù¾î³­ ÀÌÆåÅÍ
¶óÀÌºê ¹Í½Ì ¼º´É¿¡ ÀǽÉÀÇ ¿©Áö°¡ ¾ø´Â Á¦Ç°À¸·Î µðÀÚÀÎ Çß½À´Ï´Ù. CFX.mkII ½Ã¸®Áî´Â ÄÄÆåÆ®ÇÑ ¶óÀÌºê »ç¿îµå ¹Í¼­·Î ¸ÆÅ°ÀÇ ¶Ù¾î³­ ¸¶ÀÌÅ© ÇÁ¸®¾ÚÇÁ, 4 ¼­ºê ±×·ì, Á¤±³ÇÏ °í Á¤È®ÇÑ ÁÖÆļö Á¶ÀýÀÌ °¡´ÉÇÑ 9¹êµå ½ºÅ×·¹¿À ±×·¡ÇÈ ÀÌÄ÷¶óÀÌÀú, ³»ÀåµÈ EMAC¢â 32ºñÆ® µðÁöÅ» ÀÌÆåÅÍ °¡ ¿ÜºÎ ÇÁ·Î¼¼¼­¿Í ÄÉÀÌºí µîÀÇ ÇÊ¿ä°¡ ¾øµµ·Ï ÁغñµÇ¾î ÀÖ½À´Ï´Ù. ¸ÆÅ°ÀÇ ¾ÚÇÁ ³»ÀåÇü ½ºÇÇÄ¿¿Í Á¶ÇÕÇÏ¸é ¼Õ½±°Ô ¸ÆÅ° »ç¿îµå ½Ã½ºÅÛÀ» ±¸¼ºÇÒ ¼ö ÀÖ½À´Ï´Ù.

º¸´Ù ³ªÀº ³»±¸¼ºÀ» À§ÇØ, Ãø¸é¿¡ Ãæ°Ý ¹æÁö¿ë °í¹«°¡ ÀåÂø µÇ¾ú½À´Ï´Ù. ÀÎü°øÇÐÀûÀÎ µðÀÚÀÎÀÇ Æ°Æ°ÇÔÀ» À¯ÁöÇÏ°í, º¸´Ù ´õ Á¤±³ÇÑ Onyx ½Ã¸®Áî¿¡ »ç¿ëµÈ Knob(³ëºê)¸¦ »ç¿ëÇß½À ´Ï´Ù. »õ·Î¿î ±×·¡ÇÈ ÀÌÅ¥´Â º¸´Ù ´õ ¹àÀº »óÅ·Π¶Ù¾î³­ ½Ã°¢Àû ±¸ºÐÀÌ °¡´ÉÇÕ´Ï´Ù. ÀÌ·¯ÇÑ Ãß°¡ ±â´É°ú Çâ»óµÈ ±â´ÉÀÇ ¹ßÀü¿¡µµ ±âÁ¸ CFX ½Ã¸®Á´Ù ´õ Àú·ÅÇÏ´Ù´Â °ÍÀÔ´Ï´Ù.

THE FEATURES YOU NEED TO GET THE JOB DONE
All ¸ðµç CFX.mkII ¸¶ÀÌÅ©/¶óÀΠä³ÎÀº ¸ÆÅ°ÀÇ ¶Ù¾î³­ ¸¶ÀÌÅ© ÇÁ¸®¾ÚÇÁ·Î ±¸¼ºµÇ¾ú°í, ³ôÀº Çìµå·ë, ³·Àº ³ëÀÌ Á ³ªÅ¸³À´Ï´Ù. ä³Î¿¡´Â Ãß°¡·Î unbalanced Àμ­Æ® ¶óÀÎÀÌ Æ÷ÇԵǾú²¿, °³º°ÀûÀÎ "0"·¹º§ LED Á¶Àý ±â ´ÉÀÌ Á¦°øµÇ°í, 3¹êµå EQ. ¿Í ÁßÀ½ÀÇ swept, ¸¶ÀÌÅ©ÀÇ rumble ³ëÀÌÁ Á¦°ÅÇØ ÁÖ´Â 100Hz ÀúÀ½ ÄÆ ÇÊÅÍ°¡ ÀÖ½À´Ï´Ù.
°¢ ä³ÎµéÀº 60mm ÆäÀÌ´õ·Î µÇ¾îÀÖ°í, ³»/¿ÜÀå ÀÌÆåÆ® send; 2°³ÀÇ Ãß°¡ Aux sends, pan, mute, solo (PFL), bus ±â´É. ½¬¿î À½»ö Á¶Àý(Çǵå¹é °¨¼Ò)À» À§ÇÑ Á¤±³ÇÑ 9¹êµå ½ºÅ×·¹¿À ±×·¡ÇÈ EQ°¡ Á¦°øµË´Ï´Ù. ¸ðµç CFX.mkII ¸ðµ¨Àº 2°³·Î ºÐ¸®µÈ ½ºÅ×ÀÌÁö ¸ð´ÏÅÍ ¹Í½º Ãâ·Â¿¡ ÀÌÆåÆ®ÀÇ Ãâ·ÂÀ» Á¶ÀýÇÏ¿© º¸³¾ ¼ö ÀÖ½À ´Ï´Ù. »ç¿ë¹ýÀ» º¸½Ã·Á¸é (jpg ¶Ç´Â pdf ¹®¼­)¸¦ ´­·¯ º¸¼¼¿ä.

ºÎµå·¯¿î Á¶ÀÛ°ú °£´ÜÇÑ »ç¿ë¹ýÀÇ Á¦Ç°À¸·Î Àüü ä³Î À½ ¼Ò°Å ¹öÆ°ÀÌ ÀÖÀ¸¸ç, Å×ÀÌÇÁ ÀԷ´ÜÀÇ À½¾Çµµ ¼Õ ½±°í ºü¸£°Ô ³»º¸³¾ ¼ö ÀÖ½À´Ï´Ù.(¾î¶² ¹«´ëÀÇ ¿¹»óÄ¡ ¸øÇÑ »óȲµµ Àß ÄÁÆ®·Ñ ÇÒ ¼ö ÀÖ½À´Ï´Ù.)

¿À·¡µÈ ÀÌÆåÆ®´Â ÀüÇô ¾ø½¿
³»ºÎÀûÀ¸·Î ¾ÆÁÖ ¸¹Àº ³ë·ÂÀÇ °á°ú·Î ¿ÜºÎ ÇÁ·Î¼¼¼­¿¡¼­³ª µé¾î º¼¸¸ÇÑ ¶Ù¾î³­ 32-ºñÆ®ÀÇ µðÁöÅÐ ÀÌÆåÅ͸¦ °³¹ßÇÏ¿© Á¦°øÇÏ°Ô µÇ¾ú½À´Ï´Ù. EMAC ÀÌÆåÅÍ´Â ¶Ù¾î³­ Çö½Ç°¨°ú ±ú²ýÇÑ »ç¿îµå¸¦ Ç¥ÇöÇÏ¿© ±âÁ¸ "ÀÌÆåÅÍ ³»Àå ¹Í¼­"µé°ú´Â ºñ±³°¡ µÇ°í ÀÖ ½À´Ï´Ù.

¶óÀÌºê °ø¿¬¿¡ ÃæºÐÈ÷ Æ°Æ°ÇÔ
ÀÌ Á¦Ç°Àº ¸ÆÅ°ÀÇ ´Ù¸¥ ¹Í¼­µéó·³ Æ°Æ°ÇÏ°Ô Á¦À۵Ǿî, ¹ã³·À¸·Î »ç¿ëµÇ´Â Çà»ç¿¡µµ ÃæºÐÈ÷ °ßµô ¼ö ÀÖ°Ô Á¦À۵Ǿú½À´Ï´Ù. ÀÏüȭµÈ ±¸Á¶ÀÇ °¡º­¿ì¸é¼­ Æ°Æ°ÇÑ ½ºÆ¿ ÀçÁú, À¯¸®¼¶À¯ ȸ·Î º¸µå¿¡ ÀÌÁß Ã³¸®µÈ SMT ÆdzڷΠº¸È£ÇÏ°í, 60mmÀÇ °í±ÞÇü ÆäÀÌ´õ´Â Æ´»õ¾øÀÌ Àß °¨½ÎÁ®À־ ¿ÜºÎÀÇ ¿À¿°¹°ÁúÀÌ ³»ºÎ ȸ·Î·Î ħÅõµÇ´Â °ÍÀ» ¸·¾ÆÁÖ °í ÀÖ½À´Ï´Ù.
Onyx ¹Í¼­ ½ºÅ¸ÀÏÀÇ konb(³ëºê)µµ ½ºÆ¿ »þ½Ã¿¡ Ãæ°Ý ¹æÁö ±¸Á¶·Î µÇ¾îÀ־ ³»ºÎ¸¦ º¸È£ÇØ ÁÖ°í ÀÖ½À´Ï´Ù. ´Ù¸¥ ¸ÆÅ°ÀÇ ¹Í¼­µéó·³, ½Ã°£ÀÌ Áö³ª´õ¶óµµ »ç¿îµå¿¡ ³ëÀÌÁ ºÒ¾ÈÁ¤ÇÑ ºÎºÐµéÀÌ ¹ß»ýµÇÁö ¾Ê´Â Àü±âÀû ÀÎ ¾ÈÁ¤°¨À» ÁÖ´Â ÀÏüÇü ±¸Á¶·Î µÇ¾î ÀÖ½À´Ï´Ù.



High-headroom mic preamps with RF rejection
20 channels (16 mic/line mono, and 2 stereo line channels)
32-bit EMAC(tm) digital effects with 9 reverbs, 4 delays, phaser, chorus, flange; 2 parameter controls + EFX wide spatial expander
External and internal EFX sends
EFX to Monitor control
9-band stereo graphic equalizer
Inserts on all mic channels and main mix
True 4-bus design with direct sub outs and L/R assign
2 Pre/Post Aux sends and internal/external FX level sends on each channel
3-band EQ with swept mid (100Hz to 8kHZ) on mic/line channels
4-band EQ on stereo line channels
Pan, Mute, PFL solo on each channe
Inserts and 100Hz low-cut filters on all mic/line channels
Subwoofer output from built-in 18dB/oct. 75Hz crossover
Ingenious BREAK switch
Headphone output with level control
Tape/CD inputs with level control assignable to Main Mix via Break switch
Logarithmic taper 60mm faders
48V phantom power
12V BNC lamp jack


 

 
 
Á¦Ç°ÀÇ ¹è¼ÛÀº °áÁ¦ÀϷκÎÅÍ 2¡­5ÀÏ Á¤µµ ¼Ò¿äµË´Ï´Ù.
´Ü, °øÈÞÀÏ°ú ÀÏ¿äÀÏÀº ¹è¼Û±â°£¿¡¼­ Á¦¿ÜµË´Ï´Ù.
¹è¼ÛÀÌ ³ª°£ Á¦Ç°Àº ÁÖ¹® ¹è¼ÛÁ¶È¸¸¦ ÀÌ¿ëÇÏ¿© ÇöÀç ¹è¼Û»óŸ¦ È®ÀÎÇÒ ¼ö ÀÖ½À´Ï´Ù.

¹«ÅëÀåÀÔ±Ý, ½Å¿ëÄ«µå, ¿Â¶óÀΰèÁÂÀÌü, ¸¶Àϸ®Áö°áÀçµî ´Ù¾çÇÑ °áÀ縦 Áö¿øÇϸç
½Å¿ëÄ«µå ÇҺδ 50,000¿ø ÀÌ»ó±Ý¾×¿¡¼­ °¡´ÉÇÕ´Ï´Ù.
ÀÔ±Ý ¹× °áÁ¦ ÈÄ 24½Ã°£ À̳»¿¡ °í°´´Ô¿¡°Ô ÀÔ±Ýüũ ¹× ¸ÞÀÏÀ» º¸³»µå¸³´Ï´Ù.
ÆǸÅÇÏ´Â ¸ðµç Á¦Ç°Àº Ç°Áú¿¡ ÀÌ»óÀÌ ¹ß»ýÇÏ¿© º¸Áõ¼­ºñ½º¸¦ ¹ÞÀ¸½Ç ¼ö ÀÖÀ¸¸ç ¹«»ó¼ö¸® º¸Áõ±â°£Àº
Á¦Á¶»ç ¶Ç´Â ¼öÀԻ翡¼­ º°µµÀÇ ±â°£À» ¸í½ÃÇÏ´Â °æ¿ì¸¦ Á¦¿ÜÇÑ ¸ðµç Á¦Ç°Àº ±¸ÀÔ ÀϷκÎÅÍ 1³â°£ÀÔ´Ï´Ù.
(ÀϺÎÇ°¸ñ Á¦¿Ü)
¼ÒºñÀÚ °ú½Ç¿¡ ÀÇÇÑ Á¦Ç°ÀÇ ¼Õ»óÀÌ ¹ß»ýÇÑ °æ¿ì¿¡´Â À¯»ó A/S 󸮰¡ µÇ¸ç
°æ¿ì¿¡ µû¶ó A/S°¡ ºÒ°¡ÇÒ ¼öµµ ÀÖ½À´Ï´Ù.
¡á ±³È¯ ¹× ¹ÝÇ°(Ãë¼Ò)ÀÌ °¡´ÉÇÑ °æ¿ì
»óÇ°À» °ø±Þ ¹ÞÀ¸½Å ³¯·ÎºÎÅÍ 7ÀÏ À̳»
´Ü, Æ÷ÀåÀ» °³ºÀÇÏ¿´°Å³ª Æ÷ÀåÀÌ ÈÑ¼ÕµÇ¾î »óÇ°°¡Ä¡°¡ »ó½ÇµÈ °æ¿ì¿¡´Â
±³È¯/¹ÝÇ°ÀÌ ºÒ°¡´ÉÇÕ´Ï´Ù.
°ø±Þ¹ÞÀ¸½Å »óÇ°ÀÇ ³»¿ëÀÌ Ç¥½Ã, ±¤°í³»¿ë°ú ´Ù¸¥ °æ¿ì
´Ü, ¹ÝÇ°½Ã Á¦Ç°ÀÇ Æ÷Àå°ú ³»¿ë¹°ÀÌ ¿ÂÀüÇÏ¿©¾ß¸¸ ÇÕ´Ï´Ù.

¡á ±³È¯ ¹× ¹ÝÇ°(Ãë¼Ò)ÀÌ ºÒ°¡´ÉÇÑ °æ¿ì
»ç¿ëÀÚÀÇ °ú½Ç·Î ÀÎÇÑ ¹°¸®Àû ¼Õ»óÀ¸·Î »óÇ°ÀÇ °¡Ä¡°¡ °¨¼ÒµÈ °æ¿ì.
»óÇ° ¼ö·É ÈÄ 7ÀÏ °æ°ú µÇ¾úÀ» °æ¿ì.
Æ÷ÀåÀÌ ÈÑ¼ÕµÇ¾î »óÇ°°¡Ä¡°¡ »ó½ÇµÈ °æ¿ì.
 
   
À̸§ :
³»¿ë :
ÆòÁ¡
   
°í°´Æò°¡ : ÆòÁ¡ ¡Ú¡Ú¡Ú¡Ú¡Ú  
 
 
 
¹øÈ£ Á¦¸ñ ÀÛ¼ºÀÚ ÀÛ¼ºÀÏ Á¶È¸
 



Copyright ¨Ï Daunsound All Rights Reserved. 062-232-8585,062-225-8998,FAX)062-228-6730, ÆòÀÏ 09:00 ~ 18:00 (°øÈÞÀÏ,ÁÖ¸»ÈÞ¹«)
»óÈ£¸í : ´Ù¿îÀ½Çâ »ç¾÷Àå¼ÒÀçÁö : ±¤ÁÖ ±¤¿ª½Ã µ¿±¸ Á¦ºÀ·Î 203 (´ëÀε¿ 32-7) ´Ù¿îÀ½Çâ
»ç¾÷ÀÚµî·Ï¹øÈ£ : 408-39-83976 [»ç¾÷ÀÚÁ¤º¸È®ÀÎ] Åë½ÅÆǸž÷½Å°í¹øÈ£ : ±¤ÁÖµ¿±¸-Á¦141È£
´ëÇ¥ : ±è⿵ °³ÀÎÁ¤º¸´ã´çÀÚ : ±è¹Î¿ì