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  오디오 믹서 콘솔 > BEHRINGER > [BEHRINGER] SX3242FX, XENYX 마이크 프리앰프, 브리티쉬 EQ, 듀얼 멀티 FX 프로세서, 울트라 로우 노이즈 디자인 32입력 4버스 스튜디오/라이브 믹서
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[BEHRINGER] SX3242FX, XENYX 마이크 프리앰프, 브리티쉬 EQ, 듀얼 멀티 FX 프로세서, 울트라 로우 노이즈 디자인 32입력 4버스 스튜디오/라이브 믹서
브랜드 : BEHRINGER
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EURODESK SX3242FX


XENYX 마이크 프리앰프, 브리티쉬 EQ, 듀얼 멀티 FX 프로세서, 울트라 로우 노이즈 디자인 32입력 4버스 스튜디오/라이브 믹서

➢ 프리미엄 울트라 로우 노이즈, 하이-헤드룸 아날로그 믹서

➢ 24개의 최신 기술의 XENYX 마이크 프리앰프

➢ 네오-클래식 “브리티쉬” 3밴드 이퀄라이저, 세미-파라메트릭 미드 밴드가 따뜻하고 음악적인 사운드 재생

➢ 리버브, 코러스, 플랜저, 딜레이, 피치 쉬프터와 다양한 멀티 이펙트를 포함한 99개의 프리세트를 갖춘 2개의 독립적인 스튜디오급 ➢ 24비트 스테레오 FX 프로세서

➢ 9밴드 스테레오 그래픽 이퀄라이저가 모니터나 메인 믹스의 주파수를 보정

➢ FBQ피드백 시스템이 즉각적으로 치명적인 주파수를 감지

➢ Peak LED, 뮤트, 메인 믹스와 서브그룹 라우팅 스위치, 솔로와 PFL 기능이 모든 채널에 가능

➢ 4밴드 이퀄라이저에 2개의 추가적인 스테레오 입력 채널로 레벨과 프리-페이더 Aux 컨트롤을 갖춘 2개의 스테레오 입력 채널

➢ 각 모노 채널과 메인 믹스에 아웃보드 장비를 장착

➢ 서브우퍼 어플리케이션을 위한 로우 패스 필터를 갖춘 4개의 버스 출력과 추가적인 모노 출력

➢ 각채널에 4개의 Aux 센드: 2개의 프리/포스트 페이더가 모니터링 FX 어플리케이션, 2개의 포스트 페이더로 전환가능

➢ 14인치 잭과 금도금 XLR 커넥터, 분활된 컨트롤 룸, 헤드폰과 스테레오 테이프 출력을 갖춘 밸런스형 메인 믹서 출력

➢ Solo-In-Place 와 Pre-Fader-Listen RLSMDDP 더한 토크백 섹션

➢ 백그라운드 뮤직이 CD/테이프 입력을 통해 흘러나올 때 스탠바이 스위치로 모든 채널은 뮤트

➢ 60mm 페이더, sealed 로터리 노브

➢ 내부 자동 범위 전원 공급으로 최대 유연성(100-240V), 노이즈가 없는 오디오, 에너지 절약을 위한 낮은 전력 소모

➢ 고품질 부품과 엄격한 제조공정으로 제품의 긴 수명 보장

➢ 크기 100 x 896 x 410 mm

➢ 무게 11.0kg

The new XENYX Mic Preamp matches the sound quality, transparency, headroom and even the dynamic range of boutique-style, stand-alone mic preamps

Our neo-classic“British EQ”brings back the warmth and musicality of those ‘60s and ‘70s mega-console desks that made music history.

The XENYX FX mixers incorporate a new studio-grade 24-bit FX processor. Get 99 real-world and awesome effect presets at your fingertips.

If you want classic analog handling but can’t skimp on superior digital effects and studio-grade mic preamps, the SX3242FX is your new best friend. This mixer’s 24 microphone inputs, 8 stereo inputs and 4 buses give you enough leeway to handle anything from a graduation speech to a 5-piece band to a whole church service with praise band and choir.


Classic Control, State-of-the-Art Sound


Each of the SX3242FX’s 24 mic inputs connects to our world-famous, studio-grade XENYX mic preamps. They are legendary for their high headroom, warm natural timbre and utter lack of background noise. Plug in a large-diaphragm condenser mic and track a vocal to hear XENYX’s rich detail and spaciousness. Plug in a dynamic mic and stick it inside a bass drum to appreciate the whopping headroom.


You May Experience Side-FX…


Whether you need to add a dab of reverb or delay to a live vocalist’s mic or warp a hard day’s studio session into psychedelic quicksand, the SX3242FX has you covered. We gave this mixer two independent studiograde 24-bit stereo FX processors with 99 awesome presets to provide the perfect sonic garnish. “Sure they’re great for live sound, but I have a lot of cool plug-ins for recording,” we can hear some of you saying. Truth be told, you never have too many effects. And when you hear the quality of the SX3242FX’s FX, you may want to give your overworked CPU a rest.


Naturally we gave you a whole palette of creative effects like reverb, chorus, flanger, delay and pitch shifter tones, as well as mind-bending multi effects to take your sound out of this world. But you also get problem solving workhorses like compression and gating plus final effects such as Ultramizer, Ultrabass and Exciter that can put a PA or studio mix over the top. And because there are two processors, you can cue two separate effects, then apply one or both to channels 1 through 28 — compression for the vocalist, reverb for the vocalist and snare drum, for example.


What the Heck is “British EQ”?


A good thing to have on your side when you start reaching for those channel equalization knobs. At a live concert or in the studio.


Think of it as kinder, gentler, more musical EQ like the type found on classic British consoles from the 60’s and 70’s. Single malt scotch instead of Everclear. Home-baked cherry cobbler instead of an artificial cherry lollypop. British EQ’s distinct configuration of wider curves/lower Q and harmonic phase characteristics allows you to add or subtract EQ more generously than you can with conventional EQ circuit designs. When you add low midrange, you get a firmer sound instead of a nasty bonk. When you back high frequencies off a bit, treble backs off just a hair instead of turning muffled.


All SX3242FX mono channels have low and high shelving plus a sweepable “midrange” you can move anywhere from 100Hz to 8kHz. Think of it as your roving English troubleshooter.


Make Feedback Vanish So Your Audience Doesn't


When it comes to suppressing feedback, the SX3242FX is like having a bloodhound trained to spot trouble frequencies a mile away.


The 9-band graphic EQ (which you can choose to apply to your main mix or monitor mix via the MAIN/AUX1 button) features the FBQ Feedback Detection system. It makes finding and adjusting critical frequencies a snap. Just push FBQ IN, then watch as LEDs on the individual EQ sliders light up, indicating which frequency bands are causing feedback. Simply adjust until the LED goes dim.


The Ins and Outs


Some manufacturers make what they call 32-input mixers that count stuff like CD/TAPE IN as an input. But the SX3242FX really gives you twenty-four honest mono channels plus eight stereo channels, making it easy to accommodate a variety of studio or live performance configurations. You can connect up to 24 microphones or other mono instruments and up to four stereo instruments (keyboards or tone modules, for example).


You can combine these input in four different sub-mixes (we call them buses). That allows you to blend multiple channels—say all the mics on a drum kit or all the backup singers’ mics—to a single fader, which is easier to adjust for the overall mix that goes to the PA speakers. You can also use one or more of the sub-mix buses to create custom monitor mixes for picky members of your band (“More me! More me!”).


A Zillion Ways to Change the Channel


At the top of each mono channel, you’ll find both a balanced XLR input with a XENYX mic preamp and a 1/4" input. A phantom power switch located on the back near the main power switch accommodates condenser mics.


Next comes is an insert for connecting up individual signal processors or feeding a remote broadcast feed or multitrack recorder directly.


Trim control and level set LED let you adjust the channel’s input level for maximum headroom and minimum noise — the huge range of this control can handle anything from a very timid vocalist to a close-miked guitar amp stack.


Each mono channel features a 3-band EQ with semi-parametric mids (giving you control of the Mid level and a sweepable frequency with a boost or cut of 15dB) and a Trim control for adjusting input gain via a Level Set LED.


A Low Cut button eliminates the frequencies where unwanted infrasonics such as mic handling, P-pops or wind noise occur.


FX1 and FX2 dials add a blend of up to two effects, and AUX1 and AUX2 dials help create your monitor mix. Press the PRE button to send a raw, EQ-free signal to the monitors.


Near every mono channel’s fader you’ll find a 1-2, 3-4 and MAIN button. By engaging the MAIN button, the signal is sent to the main mix. Or, if you engage the 1-2 button, the channel becomes part of a bus. Twist the PAN control all the way to the left to assign it to Sub 1, or all the way to the right for Sub 2. The same principle applies to the 3-4 button.


A Mute button with accompanying LED cuts the signal from the channel, and a Clip LED helps you dial in a distortion-free post-EQ signal. The Solo button on individual channels routes the subgroup signal to the solo bus or Pre-Fader Listen—depending on whether the signal has been included in a subgroup.


Instead of XLR inputs, stereo channels 25-32 have left and right balanced/unbalanced line level inputs. Channels 25-28 feature the same controls as the mono channels, but with a four-band EQ that gives you control of HIGH, HIGH MID, LOW MID and LOW. This is especially useful for EQ’ing the critical midrange frequency content found in keyboard signals. Stereo channels 29 through 32, designed for signals that do not require EQ, have a simplified interface consisting of a Level, AUX1 and AUX2 dial. Can you say laptop backing track feeds, drum machines, tone modules, DJ mixers or CD players?


Finally, all four sub-mix buses feature an independent fader (naturally), Solo switch with bright LED, and assign buttons for routing them to Left or Right stereo channels.


Take On The World


Not every town on the planet uses the same voltage common in yours. Unfortunately, this sometimes doesn’t occur to jet-setting sound technicians until they’re 5,000 miles from home. With the SX3242FX, this is never an issue. The internal autorange power supply can run on anything from 100 to 240 V with noise-free audio, top-quality transient response and low power consumption.


Buy it Now. Teach Your Great Grandkids How to Run it.


BEHRINGER mixers last and last. We use top quality parts such as longwear faders, sealed rotary controls and premium circuit boards. We have 20 years of experience figuring out how to compensate for clumsy load-ins, spilled drinks, crazed guitarists and millions of road miles. The result is a mixer you can count on day after day and night after night.


Why Do You Need This Mixer?


➢ Built-in pristine XENYX mic preamps… LOTS of them

➢ Dual 24-bit FX processor with 99 presets including reverb, chorus, flanger, delay and pitch shifter tones

➢ British-style EQ dials give you the sound and control preferred by top studio engineers

➢ The built-in FBQ Feedback Detection system instantly reveals critical frequencies and the 9-band stereo graphic EQ allows precise correction of those frequencies in monitor or main mixes

➢ Awesomely complete I/O – everything from bus inserts to mono output

➢ We solved the problem of what to do when you want to play music during breaks but don’t want to have to mute every channel or turn down every fader. Just push CD/ Tape STANDBY button to A) mute all mixer channels and B) solo just your CD/Tape source.

➢ We didn’t just give you a MONO output for subwoofers. We gave it a built-in variable low pass crossover, saving you money on outboard gear.

➢ We added a footswitch jack that you can use to control either internal or external effects.

➢ We gave you a complete Phones and Control Room assignment matrix so you can send mains, buses, CD/Tape or auxes out at the touch of a button.

➢ We added a routing button to Talkback so you can talk directly to either a monitor mix or the house mix for public announcements.

➢ We made the 9-band equalizer assignable to either AUX 1 or the main mix.


Finally, “And Now For Something Completely Similar.”


If you’ve read this product sheet and loved everything about the SX3242FX except it seemed like a bit too much mixer for your current needs, we have good news for you. It has a little brother, the SX2442! Sixteen mono channels each with superb XENYX mic preamps. And of course every other feature you’ve just read about. But in a smaller form factor and lower price. See both models at your BEHRINGER Dealer today.


Studio Set-Up


 
 
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